Phase distortion synthesis - Wikipedia

The PITCH parameter controls the main oscillator, the TIMBRE sets the PITCH of the modulating oscillator and the WAVESHAPE depends on the synthesis mode.

What is phase distortion synthesis? | MusicRadar

Casio made five different synthesizers using this method of phase distortion synthesis.

Phase Distortion Synthesis | Electric Druid

The churn turbulent flow regime is preferable for highly exothermic processes such as liquid phase methanol synthesis (LPMeOH), FT synthesis, and hydrogenation of MAC (Ashfaq and Muthanna 2007).(iv) Annular flow: At high enough gas-flow rates only a film of liquid exists at the walls of the tube, with liquid droplets also entrained in the flow.

Phase Distortion Synthesis - SoundBridge

The structure of a gas-liquid flow depends upon the relative flow-rates of the two phases, and, for flow in a vertical pipe, can be categorized into four regimes (Mudde 2005).Here, four main patterns or flow regimes are usually considered:(i) Bubbly Flow or homogeneous (or dispersed)(ii) Slug Flow (iii) Churn Flow or heterogeneous (or discrete)(iv) Annular FlowSome authors make the distinction between bubbly flow or homogeneous (or dispersed) and churn flow or even (churn-turbulent) or heterogeneous (or discrete).In these different flow regimes, the interaction of the dispersed gas phase with the continuous liquid phase varies considerably.

Phase Distortion Synthesis

Phase84 is what's known as a Phase Distortion synthesizer

The basic theory behind a Phase Distortion Synthesis is described at . It involves running the ordinary linear sinusoidal phase through a distortion function to produce near-arbitrary waveforms.

Phase Distortion Synthesis | NI Community Forum

This paper introduces the Vector Phaseshaping (VPS) synthesis technique, which extends the classic Phase Distortion method by providing a flexible method to distort the phase of a sinusoidal oscillator. This is done by describing the phase distortion function using one or more breakpoint vectors, which are then manipulated in two dimensions to produce waveshape modulation at control and audio rates. The synthesis parameters and their effects areexplained, and the spectral description of the method is derived. Certain synthesis parameter combinations result in audible aliasing, which can be suppressed with a novel aliasing suppression algorithm described in the paper. The extension is capable of producing a variety of interesting harmonic and inharmonic spectra, including for instance, formant peaks, while the two-dimensional form of the control parameters is expressive and well suited forinteractive applications.

The VZ-1's synthesis method (

phase distortion synthesis – Synthtopia

and and and (2011)Vector Phase Shaping Synthesis. In: Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11), September 19-23, Paris, France.

Phase distortion synthesis is closely related to frequency modulation synthesis

Spectrally rich phase distortion sound synthesis using …

Internally, phase distortion synthesis works by reading a sine wave table stored in memory. The most significant bits of an initial linear frequency counter is under envelope control transformed into a secondary phase angle signal which is then used to read the sine wave. Depending on the wiring, the transform will change and a wide variety of waveshapes can be produced.

Free VST PHASEWAVE-phase distortion synthesizer - …

FM synthesis is very good at creating both harmonic and inharmonic ('clang', 'twang' or 'bong' noises) sounds. Complex (and proper) FM synthesis using analog is not generally feasible due to their inherent pitch instability, but FM synthesis (using the frequency stable phase modulation variant) is easy to implement digitally. As a result, FM synthesis was the basis of some of the early generations of from Yamaha, with Yamaha's flagship synthesizer being ubiquitous throughout the 1980s. Yamaha had patented its hardware implementation of FM, allowing it to nearly monopolize the market for that technology. developed a related form of synthesis called , used in its CZ series of synthesizers. It had a similar (but slightly differently derived) sound quality as the DX series.